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Welcome to the Third-Reich-Posters website where you will find an unrivalled selection of hard to find items.

The name is historical and goes back to when we solely sold posters relating to the Third Reich Era.

We have since developed way beyond this due to the expectations, needs and requests from our varied and worldwide customer base. The price of original period pieces is prohibitively expensive and the requirements for careful storage of them often mean they are unable to be displayed and that is where we are able to help with faithful reproductions or period pieces.

Our customer base includes, museums, military establishments, veterans, T.V prop departments, university libraries and private collectors who are looking for some extra context to add to their collection.

Our wide range of translated books gives the reader an insight into how and why the Third Reich was established and why things happened as they did.

Why do we sell Third Reich related items ? Well one major factor is that their is less competition. As sites such as Amazon and E Bay have banned such items from sale it has not lessened the demand for them and indeed it can be said by banning them they have made them more desirable and have created a larger cross section of interest in this specialist niche in the marketplace. The inability to purchase on these platforms has meant that people and institutions now come to us for these items. None of these items are intended, and nor do, they incite any form  of "hate" , "intolerance" or "violence". They are meant for academic and historical  study and if abused then that is due to the interpretation of the individual not the contents of the book. If you want to blame books and ban them from sale  then you had better start by banning the Tora, Koran and Bible all of whom have passages which could be said to incite hatred, misogyny, or intolerance in one form or another.

We do offer for sale a selection of Allied posters but as these are readily available elsewhere we do not see much demand for them, but we do still offer them for sale in the interests of diversity of opinion and balance. We did however have to stop selling the Churchill busts as in 5 years we sold 1 compared to over 100 comparable sized busts of Adolf Hitler, we do not stock what people do not wish to purchase.

We advance no political agenda other than freedom of thought and expression. If you dislike what we sell then feel free to take your business and political ideology, whether Red or Brown, elsewhere.

The history of, and leading up to, WW2 is forever and can not be denied. It is not yours, or ours, to erase, rewrite, tear down or deny !

The society we have today is the child of the past and it is what it is so act accordingly.


Victory of Faith



[h3 style=”first-word”]Victory of Faith Der Sieg des Glaudens[/h3]

Considered lost for nearly seventy years, Leni Riefenstahl’s Victory of Faith, is again available to viewing audiences. A key work in the evolution of Nazi propaganda, Victory of Faith provides an ambitious record of the 1933 Nazi Party rally at Nuremberg. Released in early 1934, the film was enthusiastically promoted by the Nazi Party as a masterful promotional tool in presenting itself to the German people. Later that same year, however, Hitler oversaw a bloody purge of many of his “old comrades,” notably the Brownshirt leader Ernst Röhm, whose leading role at the 1933 rally – second only to Hitler – figures prominently in Riefenstahl’s film. Overnight, Röhm became persona non grata, and all references to him were obliterated from the public record. As a result, the thousands of prints of Victory of Faith in circulation across Germany were tracked down and destroyed. But just as the Nazi regime was eradicating memories of its 1933 celebration, party leaders were preparing for the next Nuremberg rally, slated for September 1934. Again, Riefenstahl was commissioned to film the proceedings; the results were indelibly recorded in her propagandistic masterpiece, Triumph of the Will (1935). As for Victory of Faith, it was long assumed that no complete copies survived, and the film seemed little more than an intriguing if minor postscript to Third Reich history.

Until now: a copy of Victory of Faith, lying unnoticed in Great Britain since Riefenstahl visited there in early 1934, has surfaced, providing what appears to be a complete version. Though far from a masterwork, the film is a revelation on many counts, offering a fascinating first draft of the ideas and techniques Riefenstahl would pull off so powerfully in Triumph of the Will. In their contrasts, the two films shed much light on the early evolution of Nazi propaganda: its evocation of heroism and collective will, its portrayal of the “national people’s community,” its depiction of Hitler most of all. Where Triumph of the Will showed Hitler as supreme symbol and absolute master of the movement, the Hitler of Victory of Faith is still first among equals, a man with an unruly forelock, a presence not yet wholly in command.

Moreover, Victory of Faith provides a revealing look at the Nazi movement in the first blush of its 1933 triumphs. Here, the movement still bears the marks of its street-fighter origins; its rituals are often raw, lacking the orchestrated precision and theatrical grandeur we associate with later Nazi stagecraft. In these and other ways, Victory of Faith fills a gap in our understanding of the Third Reich, capturing the Hitler state at a pivotal stage in its early development. For students of film, the aesthetics of power, and the Third Reich, this is essential viewing.

Germany, 1933, B&W, 70 minutes, Directed by Leni Riefenstahl, German dialogue with English subtitles

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