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Welcome to the Third-Reich-Posters website where you will find an unrivalled selection of hard to find items.

The name is historical and goes back to when we solely sold posters relating to the Third Reich Era.

We have since developed way beyond this due to the expectations, needs and requests from our varied and worldwide customer base. The price of original period pieces is prohibitively expensive and the requirements for careful storage of them often mean they are unable to be displayed and that is where we are able to help with faithful reproductions or period pieces.

Our customer base includes, museums, military establishments, veterans, T.V prop departments, university libraries and private collectors who are looking for some extra context to add to their collection.

Our wide range of translated books gives the reader an insight into how and why the Third Reich was established and why things happened as they did.

Why do we sell Third Reich related items ? Well one major factor is that their is less competition. As sites such as Amazon and E Bay have banned such items from sale it has not lessened the demand for them and indeed it can be said by banning them they have made them more desirable and have created a larger cross section of interest in this specialist niche in the marketplace. The inability to purchase on these platforms has meant that people and institutions now come to us for these items. None of these items are intended, and nor do, they incite any form  of "hate" , "intolerance" or "violence". They are meant for academic and historical  study and if abused then that is due to the interpretation of the individual not the contents of the book. If you want to blame books and ban them from sale  then you had better start by banning the Tora, Koran and Bible all of whom have passages which could be said to incite hatred, misogyny, or intolerance in one form or another.

We do offer for sale a selection of Allied posters but as these are readily available elsewhere we do not see much demand for them, but we do still offer them for sale in the interests of diversity of opinion and balance. We did however have to stop selling the Churchill busts as in 5 years we sold 1 compared to over 100 comparable sized busts of Adolf Hitler, we do not stock what people do not wish to purchase.

We advance no political agenda other than freedom of thought and expression. If you dislike what we sell then feel free to take your business and political ideology, whether Red or Brown, elsewhere.

The history of, and leading up to, WW2 is forever and can not be denied. It is not yours, or ours, to erase, rewrite, tear down or deny !

The society we have today is the child of the past and it is what it is so act accordingly.




Includes favorites like: Deutschlandlied, Mein Schlesier-Land, and Erika

Although “Landser Marches” were recorded during the Third Reich, most of them are less National Socialist than traditional German military music. In addition to their unique historical significance, they are distinguished by the incomparably high level of their performances. Why? Because the men who played these venerable compositions were intensely proud of an armed forces’ heritage steeped in the accomplishments of Frederick the Great and Bismarck. After World War Two, German musicians abhorred this heritage as a shameful embarrassment. Hence, their vapid interpretations. To understand how the Old Army tunes were meant to be heard, we must go back to an era when the spirit in which they were conceived was still alive. In other words, to the recordings featured on “Landser Marches”, when national self-consciousness reached its height.

Something of this spirit appears on the reproduced album cover, the 1936 painting of a youthful German Third Reich infantryman. Behind him are the images of farmers and factory workers, mothers and children, signifying the folk he was sworn to protect with his life. While other peoples may find it difficult to comprehend, becoming a soldier in pre-1945 Germany was not unlike joining the priesthood. Both offices were universally respected as sacred. Those who wore the Landser field-grey uniform were the epitome of personal decency, blind obedience, and self-sacrifice. Anyone who failed these requirements was so disgraced, exile or suicide were the only alternatives. Even minor infractions of discipline demanded a long, difficult effort to get back, if ever, into the good graces of one’s comrades and superiors. During World War Two, for example, drunkenness while on duty was punishable by firing squad, and even high-ranking officers who lost such items as binoculars or magazine clips were sentenced to punishment battalions. Standards were ruthlessly high, but resulted in the finest military since Rome. It is important to understand at least something of this former ethic to better appreciate the nazi music that grew out of such a hard tradition.

A representative example is “Schoen ist es, Soldat zu sein”, or “It’s beautiful to be a soldier”, the fifteenth selection on “Landser Marches”. While the “Niedersachen Marsch” (“Lower Saxony March”), and “Alte Kameraden” (“Old Comrades”) are part of the Army’s pre-20th Century tradition, “Das Lied der Männer vom Westwallbau” (“Song of the Men from the West Wall”) belongs to the years immediately preceding the 1940 invasion of France, but was revived when Allied forces threatened the western territories of the Reich four years later. It refers to a series of fortifications known alternately as the “Siegfried Line” or “West Wall” facing first the Maginot Line, then the on-coming Anglo-American invaders. Its final verse reads, “We stand as soldiers in these hard, great times. We shook hands with the men of the spade, and were ready every hour to demonstrate our love of the Fuehrer by building this fortress for Germany. We want to protect it, we men in grey. We win and die at the West Wall.”

A  song from the trenches of World War One is “Wildgänse rauschen durch die Nacht”, or “Wild geese rush through the night”, composed in 1917 by Walter Flex. Its concluding stanza runs, “Like you, we are a gray-uniformed bunch, the Kaiser’s fighting soldiers. If battle must end with our disappearance, then fly south, and sing our Amen”.

Although some “Landser Nazi Marches” may be familiar to listeners acquainted with Third Reich compositions, this collection features at least several numbers which are probably new to them, such as the seldom-heard “Isarwinkler Schuetzenmarsch”, about protecting the River Isar, or the “Altdeutscher Fanfaren-Marsch” (“Old German Fanfare March”). In any case, they will never find more authentically spirited versions of venerable standards like the “Koeniggrätzer Marsch” (“The King of Gräz [Austria] March”), or “Von der Tann” (“From the woods”). As such, “Landser Marches” is sure to become a perennial staple in the collection of all German military music aficionados.


Die Fahne hoch (Horst Wessel Lied – choral)
Alte Kameraden
Das Lied der Maenner vom Westwalibau (choral)
Frischer Mut – Leichts Blut / Potpourri (choral)
Geschwind Marsch
Koeniggraetzer Marsch
Mein Schlesier-Land (choral)
Von der Tann
Vom Berge rauscht ein Wasser (choral)
Lippe Detmold, eine wunderschoene Stadt
Gruss an Kiel
Schoen ist es Soldat zu sein (choral)
Altdeutscher Fanfaren-Marsch
Maerkische Heide
Wildgaense rauschen durch die Nacht (choral)
Isarwinkler Schuetzenmarsch
Ich hatt; einen Kameraden (choral)


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